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Historian’s Notebook has moved. Details here.

Before I researched my newest novel, Sword of the Gladiatrix, I got most of my ideas and impressions of gladiators from the media: Russel Crowe in Gladiator and (for those of us of a certain age) Kirk Douglas in Spartacus. More recently Starz had a fantastic (in more ways than one) show that ran for three seasons titled Spartacus: War of the Damned. All of these shows perpetuate some myths that I hope to bust wide open in this post. They also got a couple of things right, which I’ll point out.

Myth #1: All gladiators were men.

female-gladiator-statue

Bronze statue of a gladiatrix

Most were, but not all. Here I’ll give Gladiator a weak thumbs up—they had women in chariots fighting against a group of men in a re-enactment of a classic battle in an arena scene, but other than that, women gladiators don’t show up in most visual media. It’s left to us lowly writers to correct the balance. If you look closely, women in the arena show up in art, literature, and law. Sword of the Gladiatrix was inspired by a particular stone carving of two female gladiators in the British Museum. More recently, archaeologists have uncovered a bronze statue of a gladiatrix holding a sica—a curved sword. Tacitus, Suetonius, Dio, Martial, and Juvenal all write about female gladiators—usually (except for Martial) with some element of dismay or sarcasm. An organizer in Ostia brags on his tombstone that he was the first person to put women in the arena as fighters. My favorite evidence is in the law: The first Roman Emperor Augustus forbade recruiting noble and free women as gladiators. Nearly two hundred years later, Emperor Septimus Severus banned single combat by women in the arena. If women weren’t being recruited and fighting, why have a ban? Human nature being what it is, these prohibitions probably made the fights all the more popular because they were illegal. I’m sure female gladiatorial contests continued for some time. (more…)

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Glad I ebook cover 2500x1652

Historian’s Notebook has moved. Details here.

Yes, really! Whenever I pitched Sword of the Gladiatrix as my “lesbian gladiator novel,” I encountered raised eyebrows and skeptical snorts. The first question everyone asked: “Were there really lesbian gladiators?” My answer: “Of course!” We know there were female gladiators fighting in arenas for several centuries. Some had to be lesbian.

What really surprised people was the fact of female gladiators. They rarely appear in popular culture. Despite the popularity of Xena Warrior Princess and the myths of the Amazons, female gladiators don’t come to mind in the media-soaked imaginings of brutal, bloody, gladiatorial games. Women warriors? Maybe. Women gladiators? No. Yet they are there in grave markers, classical literature, laws, and art. All you have to do is look. (more…)

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Sword 3-D

Join me for reviews, interesting guest posts, and quirky interviews at the following blogs (and there are giveaways!):

June 26-28 Historical Novel Society convention at Denver. See you there!

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Glad I ebook cover 2500x1652Hot off the presses, I’m announcing a giveaway of my newest book, Sword of the Gladiatrix. The rules are simple: leave a comment below saying you’d like to be entered. No need to put your email address in the comment, it will be attached to your post in admin. If you’d like more than one chance, Tweet, share on Facebook, and/or post on your own blog and let me know in the comments. One additional entry for each share. The giveaway is open through midnight June 12, world wide. If the winner is in the US, you have a choice of print or ebook. If the  winner is outside the US, you have the choice of ebook format. I’ll use Raffle King to randomly pick the winner.

I’m excited about this one. I put out a couple of collections of short stories and a non-fiction book, but this is my first full-length novel since Selene of Alexandria. Good luck everyone! Details on the book below:

Sword of the Gladiatrix

Two women. Two swords. One victor.

An action-packed tale that exposes the brutal underside of Imperial Rome, Sword of the Gladiatrix brings to life unforgettable characters and exotic settings. From the far edges of the Empire, two women come to battle on the hot sands of the arena in Nero’s Rome: Afra, scout and beast master to the Queen of Kush; and Cinnia, warrior-bard and companion to Queen Boudica of the British Iceni. Enslaved, forced to fight for their lives and the Romans’ pleasure; they seek to replace lost friendship, love, and family in each other’s arms. But the Roman arena offers only two futures: the Gate of Life for the victors or the Gate of Death for the losers.

Author:  Faith L. Justice
ISBN:  978-0692386491
Length:  260 pp
Price:  $11.99 (Print-discounts vary) $3.99 (ebook)
Available at:

Amazon.com Worldwide (US, UK, Canada)
BarnesandNoble.com
CreateSpace (print only)
iBooks (ebook only)
Kobo (ebook only)
Smashwords (ebooks–all formats)

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Historian’s Notebook has moved. Details here.

 

Scholar with textsWe authors—especially of historical fiction—cannot get along without our research books. (We also like to visit the places we write about, explore museum exhibits, and participate in archaeology and reenactments, but this post will talk about research of the armchair variety.) We prefer primary sources: journals, diaries, letters, histories, account lists, and literature written in the period, describing the people and events we want to write about; but that’s not always possible. For cultures that didn’t have a written language (the Iron Age Celts), or it was indecipherable (Egyptian hieroglyphs until the discovery of the Rosetta stone), or it was destroyed (Mayan books burned by conquering Spaniards); we have to rely on secondary sources. Books, essays, and articles by academics and other professionals in their fields are the best we can do for written research in such cases. But we have to be careful even with those. Just as in evaluating primary sources we have to keep in mind the biases and knowledge of the writer, we have to do the same with secondary sources. Let’s face it, there’s a lot of dreck out there—particularly on the internet—and historical fiction authors usually like to get as close to the truth as possible.

In researching Sword of the Gladiatix (soon to be available), I collected several books, articles, and pamphlets on Boudica and Roman Britain, most of an academic nature, a few of the more “popular” variety. The two biographies of Boudica I review below are the best by far of both types. You can read either or both and get a well-researched, readable history of the Iceni Queen, her times, and her legacy in popular culture. Which to read depends on your needs and nature. (more…)

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I get pitched a lot of books. I usually accept about one a month. I like most of them and write a paragraph or two on GoodReads.com, LibraryThing.com or Amazon.com. A very few get the full blog treatment. Hand of Fire by Judith Starkston is one of those I want to enthusiastically share with my fellow readers. Her novel has all the elements I look for in historical fiction: compelling characters, engaging plot, and fascinating setting.

About the book:

Hand-of-Fire-Cover-Large-203x300The Trojan War threatens Troy’s allies and the Greek supply raids spread. A young healing priestess, designated as future queen, must defend her city against both divine anger and invading Greeks. She finds strength in visions of a handsome warrior god; will that be enough when the half-immortal Achilles attacks? Hand of Fire, a tale of resilience and hope, blends history and legend in the untold story of Achilles’s famous captive, Briseis.

I have a weakness for stories that shine a light on little known women or give silenced women a voice in the way Anita Diamant spoke for the biblical Dina (Joseph’s only sister) in her wildly popular The Red Tent. Starkston takes a similar approach through the story of Briseis. In the Iliad Briseis has only a handful of lines, yet she is a pivotal character in the narrative arc of the classic poem, sparking a rift between Achilles and Agamemnon that almost brings the Greek war against Troy to ruin. In the poem she expresses her love for Achilles in spite of the fact that he killed her brothers and husband, sacked her city, and reduced her status from princess to slave. A tall order to build a believable scenario where that could happen! Starkston does a beautiful job taking the slender clues about Briseis’ life and times and building believable characters. Briseis matures from an uncertain girl to a woman capable of determining her own destiny in this engaging story. (more…)

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Princesses Behaving Badly book coverOnce upon a time, there lived a beautiful princess who wasn’t afraid to cheat, deceive, seduce or murder anyone who got in her way.

I like these kinds of books—collections of short bios of (mostly) unknown women who are remarkable for doing daring/unusual things down through history. I have one on women at sea; several on women warriors; others on women explorers, mathematicians, and scientists. They generally follow a pattern of one to two page biographies written in a breezy, modern style emphasizing the outrageousness (for her time) of the woman’s actions.

Why do I like these kinds of books? To be honest, they’re snack food—light fluffy reads that give me a break from heavy turgid research books. They also remind me that—despite what the history books tell us—some women of every age, somewhere in the world were doing remarkable things. The majority (like today) lived ordinary lives, but a few women always stood out and lived extraordinary ones. I like learning about them and being inspired to tell their stories. This kind of book is a good starting point for any historical novelist looking for inspiration.

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Reconstruction of Lindow Man

Reconstruction of the “Lindow Man” bog body. Courtesy of Wikipedia.

Samhain–the night of the dead. Yevetha knew from the ice around her heart there was one more ghost to walk the night and haunt her dreams. She clutched a tiny fur blanket to her sunken chest and rocked back and forth, keening. Sixteen summers ago she had ripped a bloody baby from the womb of her dying daughter and had wrapped him in the fur.

Yevetha had searched in the bogs for the rare herbs that would bring on her milk and had endured the pain caused to an aging body as it prepared to nurse the tiny infant. Her love had been rewarded as Bohumil grew into a fine strong young man with his mother’s blue eyes.

At the waning of the last full moon, Bohumil had come of an age to marry. He had packed for the hand of days it would take him to travel to the ocean tribes and set out through the forest to trade for a bride price.  The full moon returned.  Bohumil did not.

Yevetha pulled her worn skin cloak tighter about her shoulders and turned to the fire pit at the back of the hut.  The cramped space reeked of peat smoke and the herbs drying in the thatch ceiling. She pushed at a tangle of coarse gray hair, leaving a smudge of soot across one cheek.

Yevetha had seen forty-six winters. She was weary and there was no one to replace her as healer now that the Sun priests had outlawed the worship of the Great Mother and all Her arts. She spat on the fire. For twenty years the Sun priests had cursed her life. They had converted the village men to their Sun worship and fewer and fewer women met in the secret glade to keep the covenant with the Mother Goddess.

Yevetha pulled a bronze knife from her belt and stretched to cut several herbs from the store in the ceiling. Bitter rue for grief, sweet rosemary for remembrance and rough hemp for dreams. She took a figure made of twigs from a plain reed basket and tied the tear-stained fur around its waist with a twist of straw. (more…)

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Normally, I restrict this blog to historical notes and book reviews, but this is a special occasion. My book Selene of Alexandria is a featured read this Saturday, October 26, at The Fussy Librarian, a website that offers personalized ebook recommendations. You choose from thirty genres and indicate preferences about content and the computer works its magic. I’ve signed up for the service and get a personalized list of ebook recommendations every day. All the recommended books cost $5.99 or less and have rankings of 4 stars or better. Check it out at TheFussyLibrarian.com

Selene of Alexandria CoverFor those not familiar with my novel, here’s the back cover blurb:

“…readers will be captivated” – Historical Novel Society

“…an entertaining and enlightening novel….a fine read through and through.” – Midwest Book Reviews

“… does what historical fiction does best—weave historical fact, real-life historical figures, and attention to detail with page-turning, plot-driven fiction.” – The Copperfield Review

This story of ambition, love and political intrigue brings to life colorful characters and an exotic time and place. In A.D. 412 Alexandria, against the backdrop of a city torn by religious and political strife, Selene struggles to achieve her dream of becoming a physician–an unlikely goal for an upper class Christian girl. Hypatia, the famed Lady Philosopher of Alexandria and the Augustal Prefect Orestes offer their patronage and protection. But will it be enough to save Selene from murderous riots, the machinations of a charismatic Bishop and–most dangerous of all–her own impulsive nature?

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Cover of Daughters of Copper WomanSometimes a book grabs me by the heart and won’t let go. Daughters of Copper Woman is one of those books. I’ve been fascinated by myths, legends and folk tales since I was small. I devoured the children’s books about Greek myths and quickly moved on to Norse legends and Grimm’s tales. For the most part I enjoyed them as adventure and hero stories filled with fantasy, but (except for fables) little in the way of morals or values. I have an informal collection of the classics, plus books from the Middle East, Africa and Asia. Knowing my passion, it’s not surprising my daughter gave me this book for Mother’s Day.

First published in 1981, Daughters of Copper Woman is a wonderful retelling of myths and history through the voices of elderly First Nations women from the American Northwest. The author Anne Cameron is of Celtic descent, but lived close to the reservation on Vancouver Island and chronicled their tales in this book and its sequel Dzelarhons: Mythology of the Northwest Coast. Copper Woman is considered an underground classic and has sold over 200,000 copies, in many languages, world-wide.

So my question: “How the hell did I miss this book for the last thirty-two years?”

From the opening story “Copper Woman”:

And then the Creator, who is neither male nor female, man nor woman, but both, and something more than either…took the shells of the sea and the minerals of the rocks and fashioned a skeleton…took the salt water of the ocean and made from it blood…took handfuls of dirt and on the skeleton fashioned a body, which was then encased in skin, made from the skin of the Creator and the same color as copper…she became First Woman, she became Copper Woman.

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